Another approach to this subject! Working on 5" x 7" paper again, 

 I set the flowers up in a very strong light and left the background bare.  

This lets the elements be the stars of the show.  

Really like the shadow on the rose hip!

Sorry, this work is sold.

This is my second go at the roses.  This watercolour is 5x6 inches in total. 

The paper was washed to give it a sense of 'age' as these roses have an air 

of sweet nostalgia to them.  I also played with the strong pattern that the leaves

 make. I think it gives the background as much strength as the subject. 

Available on Daily Paintworks.

This little watercolour ( 5x7) packs a punch.  This fall, my mothers rose bushes were brimming with delicate pink roses, robust rose hips and the dried out ochre coloured petals of the blooms past their prime and not yet dead headed.  I really enjoyed playing the warm and cold reds against the veridian greens. Available through Daily Paintworks.

I have been back to the watercolours in the past weeks.  I love the discipline of the medium as well as the way the paper receives the pigments. Wet washes sink in while drier applications hover on the surface.  It always seems to me that that paper resonates more like a soft skin as opposed to canvas behaving like an exterior fabric.

I don't generally use masking fluid or draw out the subject before painting, but prefer to work directly with brush and pigment.  I also work from a 'live model', not a photograph. I feel that this leads to a less static interpretation of the flower.

Dahlia Trio
5" x 7" watercolour on acid free paper

  

Our weather patterns are behaving like a yo-yo right now.  For two days we receive glorious fall weather that begs you, loudly, "Come outside!" Then the skies open to deluge us with torrential rains.  The flower beds are all caught up in the drama, reaching blooms and buds to the sun only to be beaten down and tangled up by the rain.  Feel free to use any of these images to paint from!

                                                               

Whew! That was a busy summer! Hope yours was great!

As the morning air becomes cool and crisp and the light turns golden, it is time to be enjoying the last days in the garden.  Dahlia's are definitely the colour champions at this time of year and the garden is packed with white, pink, orange and yellow blooms. 

I set up in the kitchen of the house to paint in the full spectrum of south light instead of the studio's north light. It  looks like a mess, but it was fun to paint in a different space.  I'll  include a photo of the bouquet as well, in case someone else wants to take a crack at painting it.  

Thanks for looking.

 















The kitchen table remodeled!

  On top is the 6"x6" oil  painting while the photo below is the still life. You can see that I added another petal to the red and yellow dahlia in the final composition to better  balance the pink one.

Thinking about Space,  the‘nothings’ that make ‘ somethings’ more interesting
Reflecting on the disciplines of math, music and dance, I find there 
are many tools with which to consider and analyze the use of space 
in visual art.  From math the concept that the element ‘one’ is defined 
by the space, or ‘zero’ seems simple but is often overlooked. 

When one paints an object in a field, the field is just as important as 
the object. The one, defines the other, quite literally.  For example a 
tree placed on the left of the composition will project differently than 
one in the middle, top, bottom or right hand side. Playing with the 
relationship between the object and the field (space) is one of the most 
rewarding and simplest ways of enhancing a composition. 

Attention to the repetition and grouping of units and space is very useful in 
creating interest and unity. Two, four, six as compared to three, six, 
nine for  a simple example.   I can also think of scale which is easily
expressed in mathematics as a useful tool in painting composition. 
How different the reading of the same image, tree, if it takes up ten 
percent of the field, versus ninety-five percent! Quite simply paying
attention to the ‘nothing’ element, space – creates more interest in 
the ‘something’ subject!